So this is what I see when I blink, rub the bio-crust out of my eyes, and stop staring at my computer screen for a second:
The Looming Composers. Jody brought them in from God knows where - a dusty curio in Chinatown? An estate sale at a creepy Victorian mansion? Perhaps a gypsy pressed it into his hands as revenge for him hitting her with his car. I have no idea. But I'm cursed with them.
I actually like the sketches themselves. The frame matches the table well, and having something on the wall goes a long way toward classing up an otherwise crowded studio. It's just the composers. They LOOM. I mean, look at the puss on this Baroque badass:
That's Bach (or John Belushi in a wig). See that expression? He knows he's a better composer than you are.
Under the arrogant eyes of old J.S., the stern eyes of Wagner, and the prissy effeminate eyes of Mendelssohn, I have been working on my own orchestra piece, "American Terrorists." For one week of work, I'm pretty happy with it. If you've made it this far you deserve a preview:
It gets bigger! Expect drums, vocals, and bass before long.
As always, I hope you all are doing great! Have you checked out our bandcamp site? You can listen to two or three full-length songs, and some other works in-progress. Let us know what you think!
This is Jody. As I type, Matthew is working on a full orchestra composition for the album. Its a beautiful epic song with a bit of a controversial title, "American Terrorists." Once its done, it will melt faces. Matthew considers it to be his Magnum Opus! Its nice to hear this song come to life in the studio because we have had some what of a rough relationship with this track in particular during the writing process. I cant wait to post it to get some feedback. Im hoping to have something up by the end of the week. Im sure you'll love it...
We have been getting a lot of great feedback aboutThree Strangers, which we posted last week. I want to thank everyone for their input and encourage you to continue to do so. At this point, all the songs for the album have been tracked into our studio and are at varying degrees of being finished (As shown below with our very organized colored folders). Here is a screenshot of what will be the track listings on our album, which is listed under Operation Codename: Shopping for Shotguns:
Matthew and I have been juggling different tasks in hopes of meeting a couple of large goals that we have set for ourselves. We are on track to have the album finished and close-to-release by the end of the year. We are planning on tracking all of our live horns, strings, and brass in the second half of October and shortly after we plan to have vocal specialist Anthony D'Amato come back out and lay down some sweet melodies for us and I cant wait. In the mean time, we will continue to post our progress on this blog and we love the support and critiques.
This tune is called "Three Strangers." It's the rough cut. The album version will feature live strings and a few more fresh coats of paint. Comments, ideas, and critiques are not just welcome, but really useful. Please keep 'em coming.
You will also notice the lush vocal stylings of Mr. Anthony D'Amato on this track. Anthony is considering moving here to Chicago some time between now and January. He has no idea, but his move is already a done deal. My tazer and chloroform just arrived in the mail.
Here also is a fresh mix of "The Fisher King."
I have always been fascinated by ancient mythology, since childhood. The Greek Gods were an early fave, like I think they still are for kids. One of my piano students dressed as Athena for Halloween last year, after all. But I enjoyed the Norse, Egyptian, Celtic, and African tales quite a bit too. They made an early impression.
So now I write music that is tinged with the religious, or at least, the mythic. This song is about the swift, unyielding passage of time, directly written as a complaint to the goddesses that govern it. Time goddesses are pretty common, even in cultures separated by a lot of space. In Greece, these were the Moirae; in Rome, the Parcae; Japan has a mother-maiden-crone equivalent; as does Norse mythology, the Norns. There are more. All of these civilizations represented time as three women, usually as future, present, and past. They are often depicted smiling, but equally often described as cruel.
In the past year or two, my life has changed dramatically. I've moved in with my true-love boyfriend, I grew a beard, left boystown; I have a shiny new home studio and a new band to use it for, I am jobless and searching in a very uncertain economy, yet I'm more certain than ever that music is my destiny. As much as I love my life and love what it (and I) have become, time moves mercilessly quick, changing my shape, my emotions, my work, my friendships, my flesh. Perhaps I won't be happy forever. It feels out of my control when I consider it, even though I never felt out of control any step along the way.
Do you ever look in the mirror, see the skull behind your face, and suddenly glimpse a person you've never seen before? Perhaps a spectre you'll look like at sixty, or a ghost of what you looked like at six? Or what you would look like if you had chosen everything differently? Did you ever have a choice? Is the person looking back at you from the mirror the person you were always meant to be? Or is the person looking back just a passing stranger, someone you will only be for an instant before the goddesses of Time put all your cards back in the deck and shuffle you up?
Do you ever look in the mirror and feel like a stranger to yourself?
Just wanted to write a quick post about some friends of mine in New York. They have a great label, Triple Down Records. There is some awesome talent behind the label, including one my favorite bands of 2008, The Forms. Everyone on the label is great though. Real musicians.
I really wanted to write about Adam's Castle though. Adam's Castle is the beloved flagship band of Triple Down, and they have a new album, Vices, coming out October 19th. What's awesome is, every week or leading up to the release, they'll be giving away a track or two, along with some original art to complement the tunes. It's an exciting, DIY kinda way to do a CD release; precisely the kind of thing Jody and I sit around every day and talk about doing. It makes the experience of finding and enjoying new music something of an interactive event. Very, very cool.
If you sign up early for their "Rollout Club," you get the tracks and art emailed to you, along with some other goodies. You can check it out and sign up here. I hope you do! Support your DIY, homegrown musicians! We are the free therapy of the universe.
